After touring four continents, breaking attendance records, and establishing one of the most successful tours in Latin music, Bad Bunny returned home this Saturday to write the final chapter of an era that began precisely with his eyes set on his roots.

Thus, the Puerto Rican artist brought his monumental “DeBÍ TiRAR MáS FOToS World Tour” to a close with two shows today and tomorrow at the Hiram Bithorn Stadium in San Juan, with a message as simple as it is powerful: “We’re wrapping it up at home.”

What initially seemed to mark the end of last summer’s European tour, following the final stop of the international tour at Brussels, found an unexpected farewell in Puerto Rico. The decision comes as no surprise, considering that the album “DeBÍ TiRAR MáS FOToS” has been, since its release, a declaration of love for the island, its collective memory, and the cultural elements that have shaped the identity of the artist behind Vega Baja."

This anticipation was reflected in the public’s response. More than a million people joined the virtual line during ticket sales for the two shows, which were reported to be sold out after six hours of waiting and high demand. In addition, as early as 8:00 a.m. today, people were already heading to the venue to take part in the farewell to this monumental tour.

Before the event began, an announcement was read from the screen: “Esencia isn’t going to happen. Tomorrow at 2:00 p.m., march in Cabo Rojo.” This refers to the luxury development Esencia, which would occupy more than 2,000 cuerdas of land in Cabo Rojo.

Then, at 6:50 p.m. tonight, Bad Bunny took the main stage and sent the crowd into a frenzy. The concert was scheduled to begin at 6:00 p.m.

The lights went out, and a video of two friends kicked off the concert by talking about what really hurts us: the water and power crisis on the island. Amid laughter and questions from the audience, one slipped in: Would Bad Bunny like to come back?

There was no need to wait for a response. After a few explosions, the artist appeared on stage, took several deep breaths... and launched into “La mudanza” as the first song. The message was clear from the very first minute.

“I can’t bring water to those who don’t have any, and I can’t bring electricity to those who lose power every day. What I want is to bring a little joy,” the vegabajense began in his opening remarks.

Long before he stepped onto the field, the name Benito Antonio Ocasio Martínez was already echoing through Hiram Bithorn Stadium. “Benito, Benito, Benito!” shouted thousands of voices as the August heat dominated the afternoon and a giant Puerto Rican flag fluttered at one end of the stadium.

To kick off the “show,” Bad Bunny wore light blue, accompanied by Los Primos, who sported some of the colors that have defined the aesthetic of this artistic phase. From that moment on, a collective celebration began that, over the course of nearly three hours, confirmed why the “Debí tirar más fotos” tour has become one of the most significant musical phenomena of recent years.

The set kicked off with songs like “La Mudanza”, “Callaíta” and “Pitorro de Coco”, while the iconic cameras hanging around the attendees’ necks helped create one of the most striking visual spectacles of the night. Amid lights, screens, and a world-class production, the stadium was transformed into a vast, living album of memories.

“I had a blast, I’m not going to lie to you guys. But there’s nothing like being home. Thank you, Puerto Rico, for being here,” the artist said during one of the evening’s most celebrated moments. With the sincerity that has characterized much of this musical era, he also took the opportunity to send a message to those attending the second show: “Please arrive early tomorrow.”

Throughout the show, Bad Bunny alternated between euphoria and nostalgia. Songs like “Turista”, “Baile inolvidable”, “Nueva York”, “Ojitos Lindos”, “Me Porto Bonito”, “Efecto”, “Ella Perrea Sola”, and “Tití me preguntó” sparked some of the most intense reactions from an audience made up of people of all ages.

One of the most memorable moments came with “Baile inolvidable”, one of the most enthusiastically received songs of the night, which turned every corner of the stadium into a dance floor. The energy was also palpable in the Palco and Los Vecinos sections, where hundreds of people danced nonstop.

While performing several songs, the artist made his way into the audience. He hugged fans, blew kisses, chatted with attendees, and greeted those in the “Los Vecinos” section, while the rest of the stadium responded with the now-familiar chant of “Benito!”

The production maintained a steadily rising energy level thanks to an impressive display of lights and pyrotechnics that accompanied virtually the entire performance. The show also featured the traditional Puerto Rican cottage, which became one of the tour’s iconic elements, as well as videos starring characters such as the concho toad and Jacobo Morales, who reinforced the cultural narrative that has accompanied the project since its inception.

The guest list also helped turn up the heat. Dei V was the first surprise artist of the night, followed by artists such as Farruko, Arcángel, Ñengo Flow, and DJ Luian, who sparked fresh bursts of excitement among the audience.

As has been the case throughout this artistic phase, Puerto Rico was the true star. “They got the whole world dancing salsa,” said the singer as he introduced Los Primos. Later, he reaffirmed that sentiment with expressions such as “Acho, PR es otra cosa” and “Puerto Rico está bien cab...” phrases that were met with an immediate ovation.

The final stretch was packed with emotion. Songs like “El Apagón”, “Lo que le pasó a Hawaii”, and “Debí tirar más fotos” served as a reminder of the central themes that have defined this era: memory, identity, and love for the island. As images of people in the audience appeared on the screens, many attendees were in tears, aware that they were witnessing the closing of a historic chapter.

The tour began on November 21, 2025 in Dominican Republic and took Benito Antonio Martínez Ocasio through Latin America, Asia, Oceania and Europe, where he performed in stadiums in various cities around the world. During the tour, the show cemented the artist’s status as one of the most important figures in global music and set new records for a Latin artist.

According to figures cited by Billboard, the tour grossed over $467 million and sold more than 3.1 million tickets, making it the highest-grossing tour by a male Latin artist.

Beyond the numbers, the show stood out for bringing the album’s visual and emotional world to the stage—a production that transformed everyday elements of Puerto Rico into symbols recognizable to audiences around the globe. The show included constant references to Puerto Rican identity, nostalgia, and the sense of belonging that have defined this phase of Martínez Ocasio’s career.

Although the residence “No me quiero ir de aquí” at José Miguel Agrelot Coliseum in Puerto Rico marked a turning point in Bad Bunny’s relationship with his local audience; this farewell concert has a special meaning. It is a show designed for stadiums, with an international scope and a production tailored for large outdoor venues.

As the production team had announced, the event began well before the artist took the stage. The Hiram Bithorn grounds opened at 11:30 a.m. and featured a local market and a variety of experiences for attendees, turning the day into a full-day celebration.

The finale of “DeBÍ TiRAR MáS FOToS” represents much more than the end of a tour. It is the culmination of an artistic era that placed Puerto Rico at the center of the global conversation and reaffirmed the ability of a deeply local project to connect with millions of people around the world.

For thousands of fans, this weekend will be the last chance to witness a show that has defined the last two years of the artist’s career. For Puerto Rico, however, it will be confirmation of something that has been clear since the beginning of this tour: no matter how far Bad Bunny goes, there’s always a story left to tell back home.

---

This content was translated from Spanish to English using artificial intelligence and was reviewed by an editor before being published.